There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib
Much thanks to Netgalley and Random House Publishers for
allowing me to preview the excellent book There’s Always This Year by
Hanif Abdurraqib. Hanif Abdurraqib is one of the best essayists and memoirists
writing currently, and he may end up being the voice of my generation. There’s
Always This Year is the 3rd book I’ve read by Abdurraqib, and
this was by far the most personal and intimate one I’ve read. After reading
both Go Ahead in the Rain and They Can’t Kill Us Until They Kill Us,
I’ve come to appreciate his style as a welcoming and personal style that I feel
like I’m in a conversation with him… like we’re sitting down to catch up after
some time away, and I’m all ears to hear about what he has to share. I wouldn’t
say that his style is conversational, but there’s something about his writing
that just welcomes me in and makes me feel like I’m sitting next to him. Maybe
it’s some of the shared experiences with music, liking a lot of the same bands
and music, but it’s much deeper than that, and I think that with There’s
Always This Year, Abdurraqib takes his subjects much deeper than the
surface level. It’s like his some kind of word archeologist, delving into the
history of basketball to plumb the social and cultural connections and
developments they have birthed into his world and ours. I’d like to say this
book is about basketball… the title and the cover lead us to believe that. Even
his first section discussing the Fab 5 at Michigan makes us think that this is
going to be a book about basketball, but it is so much more. I am amazed at
Abdurraqib’s ability to use a subject like basketball as a launching point or
touchstone to go beyond and explore issues and problems in society as well as
his own personal experiences, whether they are with family, friends, school, or
the justice system. For example, the section about Chris Webber and Jalen Rose,
as well as other members of the Fab 5, starts out discussing their uniforms,
then seems to go into the baggy shorts era, exploring this trend. He then ends
up talking about hair, and how baldies were popular at this time, and then
moves into his own experience with hair, his father’s hair, and time, and then
into Lebron James. Much of the book examines the Cavs and Lebron James, but I
found it fascinating to see how Abdurraqib uses these points to move from one
subject to another in such a seamless manner. For many of my students, I would
imagine asking for some kind of transition or indication that there was a
connection or movement from one idea to another, but Abdurraqib is such a deft
(and def) writer that he is able to make these kinds of connections in a subtle
and personal way. He also does his research, citing facts and statistics that
may seem inconsequential or obscure, but he manages to imbue with meaning and
significance. It was also great to learn a lot about basketball, particularly
his interest in players who did may not stand out in the history and records of
the NBA; yet Abdurraqib is able to give them their dues and through his own
personal connections with these players, he elevates their contributions and
playing to importance, even if it is through his memory. I absolutely loved
this book, and it reminds me that I need to read some of Hanif Abdurraqib’s
other books, especially Little Devil in America, which has been on my to
read list for some time. This is a wonderful book, tied together by basketball
but about so much more, and so important to read today as Abdurraqib explores
issues of inequality, injustice, as well as the challenges of defining yourself
and exploring your identity today.
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