Red Roots Volume One: An Inventive, Genre Blending Comic

 Red Roots Volume One by Lorenzo De Felici

Red Roots book cover

Author and artist Lorenzo De Felici

Many thanks to Image Comics and NetGalley for sharing an advanced copy of the wild and inventive comic Red Roots by Lorenzo De Felici. This volume collects issues 1-5, world building a mysterious other dimension where a high school biology teacher and a professional killer end up meeting through a giant warrior creature named Grit. The story starts off alternating between the two characters, Dante (or Dan), the professional killer out for vengeance, and Katie, a high school teacher who makes an unsettling discovery in her home, leading her to question her sanity. Their stories converge in a strange, new world where the red roots bring new recruits to join the battle-inflicted world. We gradually learn more about the world, the seemingly endless battles, and the various creatures that inhabit this world as Dan and Katie learn more through their interactions with other creatures, including Grit. The artwork is stellar in this collection, moving from a realistic style to a fantasy world populated by inventive creature designs. At times, the story is a little hard to follow since the transitions from one world to the next are sudden, but we learn more about how Katie and Dan ended up in the land of the Red Roots and how they might be afforded an opportunity to leave. The story ends suddenly without any resolution, so I’m hopefully that future issues will examine more about how Dan and Katie navigate this strange world, managing threats from the enemy combatants as well as creatures within the town who seem suspicious or jealous of their position as humans. I really enjoyed how the artwork and story synthesizes several genres to create a unique tale that can appeal to sci-fi, horror, fantasy, and action/adventure enthusiasts. I’m looking forward to learning more about the world of Red Roots in subsequent issues. Recommended!

Artificial Intimacy and the Outsourcing of Human Relationships

 Artificial Intimacy: Who We Become When We Talk to Machines  by Sherry Turkle

Artificial Intimacy book cover

Author and researcher Sherry Turkle

I just came across an article from The Atlantic that focused on the work of Gad Saad and his belief about the toxic nature of empathy that is leading to the decline of “the west”, Saad, who holds a doctorate in marketing, seems to take a zero sum approach to empathy, where the ability to share feelings and relate to others, once held as a true sign of one’s humanity or appreciation for life, has now become toxic and woke. While it seems that Saad is more concerned with empathy in policies and regulations, his belief in empathy as toxic and destructive has received much attention from right wingers and what Gil Duran has nicknamed the Nerd Reich, a band of technofascists whose desire for efficiency and control have led to world wars. While Saad’s views on empathy are bizarre and misanthropic, they are gaining, probably for many of the reasons that Sherry Turkle has investigated our relationships with technology for nearly 50 years. In her latest book, Artificial Intimacy: What We Become When We Talk to Machines, Turkle treads new ground in the area of human machine intersection, but still manages to investigate the deleterious effects that technology has on our ability to communicate, to open up and become vulnerable, to relate, and to empathize with others. In past books, Turkle has investigated how technology like social media, email, and text messaging impacts our abilities to have conversations or communicate our feelings or ideas, or how digital toys often take the place of real relationships for children, blurring their schema for not only living things but also relationships. In this book, Turkle examines many of these same problematic outcomes, but she is looking at how chatbots and AI have impacted several areas of human relationships, connectivity, creativity, and thinking.

Even if you’ve never read Turkle’s other books or are familiar with her research, this is a great book to start with as the subject, artificial intelligence, is at the forefront of the news and seems to be an inescapable part of our online and digital experiences. However, what I found most fascinating in this book was Turkle’s interviews and documentation of how others are using chatbots in their daily lives. As an educator, I was glad to see that Turkle takes a constructivist and humanist approach to analyzing the participants’ use of AI, examining not only it’s impact on their abilities to think and classify information, but more significantly how AI dependency might impact their relationships with others. Through using theoretical frameworks from developmental psychologists like Erik Erikson and Jean Piaget, Turkle notes that prior developmental milestones and markers of cognition and identity development may be bypassed or unresolved which may have significant implications for individuals and society as they opt out of tasks that may be challenging, difficult, or even confrontational. As Turkle reminds readers with Erikson’s theory in particular, the developmental stages are not always resolved in a linear fashion, but we often face these conflicts throughout our lives. While resolution often results in a positive development in our authentic selves or identity, an unresolved conflict may have a detrimental impact on our psyche, leading to issues in identity diffusion, mistrust, and even despair. Proponents of AI claim that it leads to efficiency and an ability to personalize our interests and learning, yet Turkle’s own experiences documenting the obsequiousness of AI and several popular chat programs show that its demonstration of feelings or emotions are shallow and misleading. She also reminds readers that human relationships and learning are messy and not easily coded or refined by altering a sequence in a program. Rather, relationships and learning take time, patience, empathy, and determination, characteristics that many in the tech industry suggest that we bypass in order to bring us short-term satisfaction or joy that eventually leaves us isolated and alone and possibly with misguided ideas about relating to other people. In fact, I was surprised to read how many individuals that Turkle met with who repeatedly opted for digital relationships with chatbots because they are easier to manage and control and do not offer the give-and-take negotiation that is an essential part of growing a relationship. Another important factor that Turkle stresses is the role of the pandemic in accelerating the move towards chatbots as a kind of replacement for human relationships. She notes her own challenges with the limited connections that social distancing enabled, and presents the turn towards digital relationships with AI as part of a result of the social isolation from the pandemic. Yet, Turkle’s own research on our relationships with technology also indicates that this was an inevitable destination as one of her books, 2011’s Alone Together is subtitled Why We Expect More from Technology and Less from Each Other. While much of her prior research examines children and the elderly and how the use of technology presents them with a simulated connection that they often accept as real. Yet, Artificial Intimacy touches all areas of human relationships, work, and life, examining how people from across different communities and backgrounds have all begun to replace real, human relationships with artificial intelligence.

Turkle frames this simulated connection through artificial intelligence as an emergency that has further enhanced anxiety and stress while also delaying typical markers of adulthood like intimacy and trust. She also documents case studies of AI that have done harm to children and adolescence, and how tired and time-constrained parents sometimes turn to AI to fulfill their parenting duties, or how children respond to AI-enabled devices like Alexa or Siri. Turkle reminds readers that while we may gain efficiency, easy answers, and even short-lasting pleasure or joy, it often comes at the expense of our privacy and possibly our identities, ability to trust, initiative, or intimacy. While the chapters on childhood and adolescence are concerning about how AI is impacting developmental milestones, I found the chapters looking at love and work even more shocking. Learning more about how people depend on AI for companionship and work skills opened up new insights into how AI is replacing these areas of our lives and making individuals less able to confront the typical challenges of life. There were two other chapters that also looked at how AI is becoming more of a part of therapy and how people (and companies) are using AI to manage mourning. I found these last two chapters equally concerning and somewhat disturbing. It seems that AI would be counterintuitive to therapeutic practices, especially those in psychoanalysis and Rogerian therapies, but it seemed like therapists and individuals who Turkle interviewed were of the belief that AI’s use in therapy was inevitable and would bring benefits. While therapists viewed its use as a means to provide further insights into analyzing patterns, dreams, and suggesting treatments or practices, patients seemed to appreciate the accessibility that AI therapists provide in relation to cost, time, and customization. As Turkle noted in some of her research participants, AI therapists don’t necessarily challenge these patients, often allowing patients to dictate the terms. What was also surprising was that not all companies promoting AI therapy need to issue disclaimers either. The chapter on mourning was also shocking to read, but also understanding. As Turkle notes, accepting death is one of the most challenging tasks of being a human, but it allows us to resolve the grieving process. Not accepting death creates a sense of melancholy on the individual level. AI companies have begun to exploit the desire to address death by creating digital avatars and AI-recreations of loved ones by uploading text messages, emails, videos, photos and other digital documents. Not only does it raise moral and ethical concerns, but Turkle notes the issues of privacy and consent, as most likely the deceased have not provided consent. Turkle’s research suggests that this willingness to revive the dead in an unliving manner prevents us from grieving and healing. It’s this kind of disruption, the inability to resolve the conflicts of life that AI has facilitated in the past few years.

Artificial Intimacy is an important book that many people should read. It’s a book that is especially important for parents and teachers, as it can provide us with a better understanding of the risks and consequences that AI poses to our children and students. While Turkle raises alarms and calls AI dependency a state of emergency, the presentation of the book’s subjects and research participants is empathetic and understanding. Yet, she also calls on readers to reclaim the real and reject the artificial, noting how AI not only limits our relationships with others, but it also reduces our agency and decision making. We are outsourcing our lives with the promise of efficiency and customization. The cost is our privacy, our identity, and our minds. With the recent attacks on empathy and the stress of efficiency, Turkle’s work and analysis throughout her career and this book in particular are relevant and meaningful. Highly recommended. Many thanks to Little, Brown, and Company and NetGalley for sharing an advanced copy of this wonderful and important book. 

Exploring Haunted History and Literature in J. W. Ocker's Chasing the Headless Horseman

 Chasing the Headless Horseman: The History, Hijinks, and Halloweens of the Real Sleepy Hollow by J. W. Ocker

Chasing the Headless Horseman book cover

Author and Halloween enthusiast J. W. Ocker

Skyrocketing food and grocery prices. Pain at the pump. Another seemingly endless war while the president thrives on AI generated praise and glory. While doom and gloom seem to abound in 2026, I’ll remember it as the year that readers received two J. W. Ocker travel books. Ocker, who has clearly established the field of horror travel writing, researching and visiting the haunted, mysterious, and dangerous places that are often populated by cryptids, ghosts, or legends, published the wonderfully weird Don’t Go There over the summer, which I found was an ideal book to find out about places not to visit (even though there’s some on my to visit list like The Pine Barrens and Centralia). Just in time for the Halloween season, Ocker’s latest book covers everything you never knew you wanted to know about Sleepy Hallow, which Ocker makes the case was the setting for America’s first horror story, written by America’s first professional writer, Washington Irving. Beyond being a travel book that provides the history and current status of one of the US’s hottest Halloween towns, Ocker makes the case for the importance of the Headless Horseman to American horror and how this story possibly affected literature in America and around the world. I was amazed to learn about the possible influences on Poe and Dickens, as well Irving’s contributions to the English lexicon with words like knickerbocker, doughnut, the almighty dollar, and Gotham. Ocker uses these facts to make a strong case about Irving’s importance not just to American literature but to American culture and norms. Chasing the Headless Horseman is not just a travelogue about exploring the transformation of North Tarrytown to Sleep Hollow, but rather it’s also a love letter and passionate endorsement of the significance of the Headless Horseman to America’s monsterverse and how it has factored in to our urban legends and lore. I am so thankful that W.W. Norton & Company and NetGalley made this book available for preview.

Chasing the Headless Horseman is a great book because it not only examines how the Halloween and fall seasons transform Sleepy Hollow into a in-demand destination filled with graveyard visits, instagramable shots on bridges, and cursed rock formations, but Ocker also presents the history of the town, tracing it from its earliest days as Weckquaesgeek land to eventually becoming a Dutch settlement where Frederick Philipse established a mansion and mill. Ocker also dedicates chapters to examining Sunnyside, Washington Irving’s still preserved home in the area, providing some details about how the unique construction came to be. However, Ocker also interviews many current and former residents of Sleepy Hollow and neighboring Tarrytown to share more about the history and significance of the area, and to better understand what it is like living in the area. These interviews are some of the best parts of the book as they provide first hand perspectives of citizens who have contributed to Sleepy Hollow’s transformation over the years. They also showcase a sillier side of Ocker, and I found myself laughing at some of the questions and responses in these interviews. It was also fascinating to learn that the Sleepy Hollow/Tarrytown high school’s mascot is the Headless Horseman, which Ocker shares his fascination with by opening the book describing a bathroom redecoration project featuring the Headless Horseman.

In addition to the history of the area, Ocker also explores his love of the story and how a middle school teacher’s lesson for Halloween introduced him to the story that would become a lifelong love. This passion for “The Legend of Sleepy Hollow” leads Ocker to research and analyze the potential sources of the story as well as the locations in the town that served as backdrop for this classic American tale. These chapters that focused on the literature and Ocker’s analysis of the influences and changes that Irving made for the story were among my favorite in the book. He closely examines not only the possible friends and acquaintances who may have influenced the characters in the story, but also provides some possible interpretations of the meaning and themes of the story as they relate to American literature of the time and present. Furthermore, Ocker’s style is conversational and informal, more punning than pedantic, and it makes the analysis more accessible and engaging. I found it fascinating to learn more about the Revolutionary War’s influence on this story and the legend of the Hessian soldier from the Battle of White Plains who was possibly decapitated by a cannonball. Ocker talks to an author who traveled to Germany to learn more about this possible connection, as well as other authors who have written about Sleepy Hollow, the town and the story.

Beyond the story, Ocker also visits some haunted spots in the area, sharing some possible sites to visit on a day trip. This kind of travel writing is where Ocker shines, sharing some out of the way spots that won’t necessarily show up in a guidebook. He provides some interesting stories behind the lore of these locations and some ways to navigate to easier viewing (like Raven Rock). I loved learning more about all of the legends, houses, rocks, bridges, trees, and even restaurants, and it provides the beginnings of a fun itinerary for visiting a town. In another chapter, Ocker also compares Sleepy Hollow with America’s original terrifying town, Salem, Massachusetts, to note how each obtained their reputation as a Halloween location and how this has helped these town’s grow. In another chapter, Ocker visits several other American cities and towns that are either named Sleepy Hollow or have some connection to Washington Irving, whether it is visiting Ichibod’s Lounge in Las Vegas or chatting with the resident historian of Sleepy Hollow Illinois. My favorite chapter in the book, though, was Ocker’s detailed examination of all of the movies, shows, and short films inspired by “The Legend of Sleepy Hollow.” I had no idea that there were about 82 hours of shows and movies that were based on the story, and Ocker provides a useful synopsis and evaluation of these films and shows. Although he wasn’t able to find one of the more interesting shows, Shirley Temple’s Storybook which features Boris Karloff, he watched all of the other recreations and adaptations of this classic story to see how the Headless Horseman has been represented in various time periods. Although my first encounter with the Headless Horseman was through the 1949 Disney short, I didn’t realize that it was also featured with The Wind and the Willows, which is a British novel and somehow received a Disneyland ride. I think a Sleepy Hollow ride would have been much better, but alas. This chapter about the various interpretations of Irving’s story probably has the most highlighting, and I have been creating a viewing list based on Ocker’s film reviews. It was fascinating to see how the image of the Headless Horseman has shifted over time, yet somehow still remains menacing even in children’s television from the 1970s and 80s. Nevertheless, it’s also fascinating to see how in more recent adaptations, the Headless Horseman exchanges his horse for a motorcycle and is often depicted as a malevolent motorist with a detachable helmet.

There’s so much to like about this book, whether it’s the history, the travel recommendations, the literary analysis, or the film recommendations. J. W. Ocker takes readers on a wild ride through the forests of West Chester County and the influences and legacy of America’s first ghost/horror story “The Legend of Sleepy Hollow.” He brings us along with his family, introducing us to historians, authors, and citizens of Sleepy Hollow and its surrounding towns to learn more about the history and significance of the town, its namesake story, and its author, Washington Irving, who, according to Ocker, was the first American to make a living as a writer. Ocker’s passion and love for the story and especially the Headless Horseman shines through all of his interviews, questions, and explorations of the area, geographical, historical, and literary. It’s a fascinating book that dives deep into an important American legend, examining its modern day reverberations and influence. Chasing the Headless Horseman is a wonderful read, especially for those who love Halloween, fall, and American literature. Highly recommended!

Commemorative plaque from the Alhambra in Granada

Note- I was lucky enough to visit the Alhambra in Granada, Spain this past winter. I previously visited it 30 years before, and I wanted to make sure I took my family there when we were in Spain, even though it meant renting a car and driving for several hours from Seville. I also made sure that I found where Washington Irving stayed during his time there, and where he was inspired to write two books about this magnificent, historical palace. I remembered learning about Irving's visit and stay there when I first visited Spain as a high school student, but it was cool to see this again with my family. Ocker's book and this picture I took remind me of how important and unique Washington Irving was-- how we traveled around and shared his observations and reflections about these places for the broader American public who might not have been able to travel in the 19th century. It also demonstrates Irving's interest in culture and legends, and how he was like an early, informal anthropologist or folklorist, gathering and reproducing some of the history and legends of these places. He truly is an American original and I'm glad that Ocker's book celebrates his significance in American literature. 

Exploring the World of Stephen King: The Art and Craft of Stephen King by Guy Astic and Frank Lafond

 The Art and Craft of Stephen King: The Story Behind Every Novel, Novella, and Short Story by Guy Astic and Frank Lafond

The Art and Craft of Stephen King cover

Author and researcher Guy Astic

Author and researcher Frank Lafond

Credit due to Guy Astic and Frank Lafond, authors of the massive, encyclopedic entry into Stephen King’s universe titled The Art and Craft of Stephen King: The Story Behind Every Novel, Novella, and Short Story, for providing fans with a wonderful reference to all of King’s work, and in some cases, making intertextual connections to allow readers to see references to characters, places and events that frequently occur from Derry to Castle Rock. Astic and Lafond have covered nearly all of the bases in King’s writing and filmography, providing the background to the stories, novels, and novellas, while also noting literary allusions and influences that King incorporated in his writing. Each chapter of the book closely examines one book, with some chapters focused on short story collections, examining themes within the collections, while also noting how the stories may relate to other novels that arrived later in King’s career. I especially loved the sidebars “For King Addicts”, where the authors provide some deeper level knowledge for King fans, whether it’s personal connections and history from King related to a specific book, or what was happening in King’s life at the time of the writing of the book. It’s fascinating to learn some of these hidden tidbits about some of my favorite books by one of my favorite authors. Each chapter also has a section that focuses on the screen adaptation of the book, allowing fans to learn more about how these novels were adapted for the big screen and helped to further cement King’s status as the modern master of horror. While I loved learning more about the writing behind these books, I think learning about the film adaptations was also fascinating—especially as they note how King’s bankability took a hit in the 80s after the success of Carrie. I actually didn’t realize that George Romero initially wanted to adapt The Stand, but due to budget constraints and the lengthy book, it was never adapted to the big screen, yet has had 2 television miniseries adaptations. Similarly, there have been about 10 films adapted in various forms from Night Shift, although there are nearly that many sequels to Children of the Corn. This chapter examined the variability in adapting King’s work for the screen, especially as King has often not been involved in the screenwriting process for many of these films. He infamously ended up directing Maximum Overdrive based on the Night Shift story “Trucks”. I remember loving Maximum Overdrive when I was like 10, and reading about the production of the film made me want to watch it again. The section on this book also made me want to check out some of the lesser-known adaptations from the 90s like The Mangler and Sometimes They Come Back. This book also has one of the most recent King adaptations, The Long Walk, which was first published under King’s pseudonym, Richard Bachman. In fact, the Bachman books are also included in this collection—even Rage, which has been taken out of print. Astic and Lafond have left no Castle Rock unturned in their examination and exploration of King’s work.

While I enjoyed this massive 650 page book, I think it would work better as a physical book. I am grateful to Black Dog & Leventhal Publishers and NetGalley for sharing an advanced digital copy of this wonderful book with me, but as other reviewers have mentioned, the digital formatting was not ideal for a book like this. I think the various photos, promotional materials, and other King ephemera would be better enjoyed in clear photos in a physical copy of the book. The scanned images were a little blurry, and whether it was the scanning or formatting of the digital files, the smaller type of the pages were harder to read than other digital books. Nevertheless, this book has proven to be one of the Needful Things for King’s number one fans. I’ll be on the lookout (or maybe the Overlook) for a physical copy at my local bookstore, allowing me to get lost in King’s mythical and malevolent worlds, whether it’s the sewars of Derry or the dome of Chester’s Mill. This is an amazing reference for King’s world. Highly recommended!  

Examining the Horrors of Social Media and Artificial Intelligence in Incarnate by Alma Katsu

Incarnate by Alma Katsu

Incarnate book cover

Author Alma Katsu

Alma Katsu’s Incarnate is a fascinating and thrilling update to the gothic horror classic The Portrait of Dorian Gray. I’d actually argue that Katsu’s Incarnate is a more adventurous and relevant story that not only examines the age-old desire for beauty and youth, but rather frames these themes in our world that, as Katsu explains in her afterward, “can…not tell the difference between real and fake, it would seem much of the population no longer cares.” Her main character, Dorothy, is a complicated woman whose own trauma and bullying pushed her to the fringes of society and uses social media more as a lurker than someone truly engaged in making meaningful connections, even if they are virtual. An opportunity to work a video creator, Tomas Delgado, allows Dorothy to gain entry level access to cutting edge technology in social media before she graduates college. Katsu’s characterization of Dorothy allows us to both empathize with her and root for her as she seems to obtain a dream internship working with one of the hottest video producers, even if it requires leaving school early and moving to LA on her own away from her family in NJ. As Dorothy develops strong work ethic, spending many nights at the studio perfecting video effects for her favorite signer, Catrina Villeneuve, she’s able to demonstrate her technological prowess to Tomas, proving that she’s a capable and talented member of Tomas’s developing team, even if it sets up rivalries between other members of Tomas’s team. However, Dorothy’s late nights aren’t all spent on Tomas’s projects. She’s also been developing her own avatar, Isabella, who she decides to create social media accounts for. Despite being a digital creation that was developed through her work with the singer Catrina Villeneuve, people can’t (or aren’t willing to) recognize that Isabella is not real. In fact, Isabella’s girl-next-door looks and emptiness seem to appeal to a broad swath of social media users, and she eventually becomes a phenomenon. Maybe because there’s this air of mystery about her, but people want to know more about this woman and where she came from. Even Tomas and others in the studio have questions about Isabella, but because Dorothy used Catrina’s images and videos and Tomas’s equipment and property to create this viral sensation, she’s not willing to disclose her origins. In fact, she secretly seems to revel in the comments, attention and notifications she’s receiving as Isabella since this was never something she experienced as Dorothy. Dorothy also begins to receive strange messages that seemingly offer her a chance to have Isabella become more and more popular, dominating the digital realm. However, as Dorothy eventually learns, these kinds of deals with “trolls” often come with some compensation. Even though she doesn’t sign and contract and her agreement is through messaging, Dorothy’s troll extracts quite the toll, even if the cost doesn’t immediately reach Dorothy.

Before becoming a novelist, Katsu worked in the world of intelligence, becoming one of the first social media researchers, often trying to learn more about how social media impacted behaviors, beliefs, and the flow of information. Similarly, Incarnate takes readers behind the scenes to learn more about how social media and our willingness to accept whatever we see can boost profiles, whether they are real or not. In her afterword, Katsu also shares a thought about social media that I’ve been thinking about ever since I finished the book: “Here’s the last lesson of tech forecasting: Every technology has two sides, and those two sides are not Good and Bad. They’re Offensive and Defensive. You can use a new technology to improve your lot in life or to further your goals, but you can also use it to take down your enemies, to obfuscate or deceive.” It’s a powerful lesson that the technology isn’t really good or bad, but rather it’s how we decide to use it. While Dorothy initially uses it to attain the kind of popularity and attention that evaded her (or she shunned) IRL, we see how she learns to use social media as not just a tool, but also a weapon. At one point, Isabella is invited to a weekend getaway with other influencers who remind her to act as if there’s always a camera filming her; although she forgets this reminder, she learns how others may use social media to take down competitors. In fact, we begin to see how Isabella and Dorothy both change from desiring attention and likes to feeling threatened and cornered by competition. In many ways, Dorothy reminded me of Maris from Katsu’s last novel Fiend, where we see someone who is bound by her status, yet finds ways to manipulate and maneuver, often with some supernatural help, and advance in a world that previously denied them status. Alma Katsu’s Incarnate is an exciting, page-turning ride where I felt my emotions swaying from sympathy to disgust and dismay. I really appreciated the complexity of Dorothy and the transformation that occurs with her as she gains more status and visibility through Isabella. Some of the other characters, especially the other influencers, were a little more underdeveloped, and I would have liked to learn more about them. I also loved the mention of a character named Graham Jones, a “British technocrat bankrolling Tomas’s studio,” and wished there was more about this aptly named individually. Some of the plot points, which I won’t give away to spoil the ending, move rather rapidly towards the latter half of the book. Nevertheless, Katsu’s writing kept my attention and kept me turning pages. Incarnate is a fascinating book, and a great way to use horror to examine the implications of social media and artificial intelligence, especially our willingness to accept whatever we see online as real. Highly recommended! Many thanks to Putnam and NetGalley for sharing an advance copy of this wonderful book!

 

Necessary Reading for Today: End Times Fascism by Naomi Klein and Astra Taylor

 End Times Fascism: And the Fight for the Living World by Naomi Klein and Astra Taylor

End Times Fascism book cover

Author and journalist Naomi Klein

Author and filmmaker Astra Taylor

In their new book End Times Fascism: And the Fight fort he Living World, Naomi Klein and Astra Taylor provide an important observation from Joyce Carol Oates about Elon Musk, where she questioned his lack of enjoyment or celebration on social media. Where other tech moguls like Mark Zuckerberg have proclaimed social media’s ability to bring us together, Oates observes how other social media platforms have devolved into a space for harboring grievances and complaints. It’s a fitting observation that Klein and Taylor lean into to raise questions about how these wealthy elites with seemingly more resources than some countries and many people can find so much of the world problematic that many of them seek to develop charter cities or autonomous zones of exclusivity or even isolated bunkers that will allow them to disengage and shield themselves from the rest of the world. End Times Fascism explores the hard shift in the tech industry from progressive ideas and thoughts towards fascism and dictatorships to how they have exploited millennialism and apocalyptic thinking and partnered with other fascistic political movements in America and around the world in order to demonstrate their need for exclusivity and shelter. After reading Gil Durán’s excellent new book The Nerd Reich, which also details the fascistic shift in Silicon Valley and its determination to accelerated the collapse of society to form their own autonomous enclaves and feudal systems, End Times Fascism provides a complementary if not a broader view in how 21^st century fascism and its links to technology and apocalyptic thinking are different from the 20^th century fascism that we’re often warned about and keep vigilant eyes in order to prevent its resurrection. These books are not only timely and relevant, but also necessary in helping to make meaning and understand the motivations of the individuals and groups who not only hold much of the world’s wealth but also are able to leverage that wealth to change the world, often to benefit themselves.

An important lesson Klein and Taylor explain at the beginning of their book is how this modern version of fascism differs from earlier iterations, examining its evolution as “humanity has entered an era of unprecedented, global-scale existential crises.” While in the past, we might trust our leaders in industries and governments to mount challenges to these crises, but today’s approach is much different and more self-serving. Furthermore, Klein and Taylor explore how this approach to accelerating the end and the apocalyptic thinking limits resources for others while allowing the world to burn. That is, with the end of the world fast approaching, there’s no need to help others out, but rather only to prepare for its imminent demise. This book not only highlights the apocalyptic thinking of Silicon Valley, but also their symbiosis with the conservative, right-wing political world to wrest more control and dominion over society.  

End Times Fascism is organized into 4 different sections that examine the history of fascism and millenarianism in the 20^th century and how it has led to an increasing belief in end times and the hypervigilance of these end times symbols. While it is still a little unsettling to see how many people are increasingly banking on the end of the world being near, Klein and Taylor’s book is also a reminder about how often this kind of thinking and belief system arises during manufactured crises and unprecedented events. In Chris Jennings’s End Times, he explores the Ruby Ridge standoff and tragedy, and how it arose from the millenarianism that permeated the Christian nationalism of the 70s and 80s, and how Hal Lindsey’s book The Late Great Planet Earth was among the best-selling books of the 1970s. Even though this kind of thinking isn’t novel, the apocalyptic thinking and hastening the end of the world remain a popular belief system for some groups of people. The second section details how Silicon Valley is working to hasten the end times and how AI and data centers in particular are proving to be part of the accelerant that is hastening the end for some communities. While there has rightly been considerable pushback against data centers in communities, it was shocking to read about Musk’s Colossus, a massive data center in Memphis. Named after a 1960s sci-fi movie computer, Klein and Taylor document Musk’s late-to-the game approach to AI, and how this facilitated his hasty and dangerous construction of basically a private powerplant to fuel his AI, which the authors also note has a reputation for generating racist and misogynistic content. As Duran’s book noted, many of the Silicon Valley’s companies are named after sci-fi and fantasy book characters, yet these CEOs and leaders often misread or omit the warnings and ironies in these characters, and it seems like Musk missed the irony of naming his vast AI data center after a murderous robot- man-made technology run amok and seeking to end humanity. It was shocking to learn about Musk’s secret deal with the Memphis city council that allowed him to unleash pollutants, toxic chemicals, and waste in neighborhoods that have often been the site of other economic and environmental injustices. Although there’s been more and more pushback regarding data centers recently, Klein and Taylor’s reporting helps to further emphasize the environmental and human toll that our use of AI has on communities and individuals. This book raises important awareness of these issues and frames the damage done to communities in a way that identifies its toll on individuals and families, making this an important read. It’s also one of the many travesties and atrocities that are perpetrated around the world in the name of technological progress and efficiency. While we may think our lives are improving, Klein and Taylor remind us of those voices and victims who are often stifled, maligned, or silenced by the powerful and affluent.

Although Klein and Taylor focus on the institutional, racial, economic, and political violence that has become more prominent with the rise of 21^st century fascism, their book also offers signs of hope through resistance. Although they report on Musk’s data center and the damage it has inflicted on the Boxtown neighborhood of Memphis, Klein and Taylor also highlight group and individuals like Keshaun Pearson who helped organize the Memphis Communist Against Pollution, which has collaborated with other organizations to fight the encroaching environmental pollution from these data centers. They also spend time discussing how communities and groups in Minneapolis supported neighbors and immigrants when DHS invaded its neighborhoods and murdered two citizens. For all the attempts to malign these victims and paint them as radical terrorists, Klein and Taylor highlight the kind of supportive communities and neighbors who put themselves as risk for the care and good of one another. It’s an important reminder of the connections that help to sustain us during these wild, violent times. It’s also an important reminder of the kinds of dichotomies and sides that are set up as our society continues to break apart due to polarization. We can choose the side of exclusivity, of rejection, of violence and condescension, or we can choose to be part of a broader collective, working to protect others against harm. While Klein and Taylor don’t necessarily frame their arguments in this way, they do end their book with a reminder of the doomsday clock, and how both the UN and Bulletin of Atomic Scientists raised concerns about the destructive powers of nuclear technology. Both organizations arose from the wreckage of World War II, seeking to prevent further wars and the use of destructive technology. While Klein and Taylor acknowledge the limitations of the UN and the frequent failures to recognize the destructive power of nuclear technology, they present important warnings and reminders of what lies ahead if we continue down this apocalyptic path while indiscriminately using technology without thinking. Klein and Taylor report on many of the interconnected fascist factions not only in the US but around the world, and although breadth of this coverage can feel daunting, it’s also important to recognize their coverage of the communities of resistance that have risen to challenge the encroachments on our rights. My thanks to Farrar, Straus, and Giroux and NetGalley for sharing an advanced copy of this book. Highly recommended!

Unexplained Events and Eerie Tales from MrBallen Presents: The Terror Within

 MrBallen Presents: The Terror Within: The Graphic Stories by MrBallen with artwork by Andrea Mutti

MrBallen Presents: The Terror Within cover

Podcaster MrBallen

Artist Andrea Mutti

Many thanks to Clarkson Potter/Ten Speed Press and NetGalley for sharing an advanced copy of MrBallen Presents: The Terror Within: The Graphic Stories. MrBallen, a popular true crime podcaster and influencer, has collected some of his favorite, most haunting unexplained mysteries and commissioned his creative team to retell these chilling stories in graphic novel form. Although MrBallen has selected the tales for this anthology, he acknowledges the team including his sister, Evan Allen, who writes and edits, along with co-selecting the stories, and Robert Venditti, who revises the podcast scripts into graphic novel formats, as integral to the creation of this collection. In addition, Andrea Mutti contributes through his excellent artwork to capture some of the terrifying and uncanny elements of these stories.

The stories in this collection take place around the world and through different times in the 19^th and 20th centuries. Some of the stories, like the Dyatlov Pass Incident (“Dead Mountain”) and the Magdelena Solis story (“The Cave”) may be familiar, if not infamous, for some readers. Other stories like “The Red Ghost”, “Ape Canyon”, and “Her Face” were familiar to me, but had elements of the uncanny, the unexplained, or happenstance that created ironic twists that helped intrigue me with its events. I appreciated how this collection provides a map and locations for each of the events to indicate where these stories took place. Although not all of the stories were included in this sample, it provided me with enough to pique my interest in these tales of the unexplained. Like MrBallen, I’m also a fan of these kinds of mysteries and unexplained phenomena. MrBallen provides brief commentary at the beginning and end of each story, and most of the stories are told through his 3^rd person narration that observes and describes what happens to those involved in the story. He provides some explanations about the events at the end of some of the stories, but others like “Dead Mountain” and “Ape Canyon” remain somewhat unresolved and mysterious, leaving readers wanting to know more about what exactly happened and what the possible explanations are for these events. Others like “The Cave” and “The Red Ghost” have mostly rational explanations for the events that occurred or at least have some kind of resolution where justice was served. Nevertheless, “The Red Ghost” was particularly haunting and strange as we are never really given an explanation as to why the red ghost initially appeared or what exactly happened to Elizabeth. It was a strange and perplexing tale that’s left me wanting to know more. Thankfully, the team working with MrBallen provides a useful further reading list at the end of the collection to learn more about each of these events.

This was a fun, quick read that has some intriguing investigative tales. The simple narration and commentary in each of the panels helps to focus on the mysterious nature of these events, and pairs well with Mutti’s stark, evocative illustrations and artwork, creating a creepy and uncanny atmosphere, great for the Halloween season. I was also excited to learn that there are other MrBallen graphic novels available that detail other mysteries and unexplained events, so I’ll look forward to checking those out. Recommended!