Friday, July 5, 2024

Examining a Classic 90s Album

 Exile in Guyville by Gina Arnold

Liz Phair Live by Anthony BauerCC BY-SA 4.0, via Wikimedia Commons


Liz Phair - Girly Sound to Guyville Vinyl Box Set by Edsel Little CC BY-SA 2.0

I ended up reading Gina Arnold’s Exile in Guyville on a trip to Chicago since Liz Phair is from Chicago. This was a really interesting entry into the 33 1/3 series. I can definitely see how some people wouldn’t enjoy this book, since it’s not completely focused on the creation of this album. However, I really appreciated the kind of approach that critiqued Phair’s album against the Stones’ Exile on Main Street. Arnold’s analysis highlights the kinds of double standards that female musicians face when they sing about sex and sexuality. I found it interesting to learn more about the backlash Liz Phair received about this album and in general how the idea of a female rocker was kind of frowned upon. I knew about Liz Phair from her next album, but have grown to love this album as well. While I don’t think it’s quite a rock album, it’s a great album that reflects the movement away from larger studio produced albums and the grunge music that was pervasive in the early 90s. Not only was the music stylistically challenging pop music (as opposed to the power chords and distortion of grunge), but the lyrical content and perspectives of a young woman exploring her identity and relationships was also really different from the male perspectives that have dominated rock music and were so apparent in grunge and alternative rock. After reading Phair’s fun and revealing memoir, this was another great reference point to learn more about her work and this album in particular, even if this book explores how the album Exile in Guyville really challenged the assumptions about rock in the early 90s and how the album helped to broaden the perspective in indie rock and open more opportunities for female musicians. 



No comments:

Post a Comment