Tuesday, June 30, 2026

Wide Sargasso Sea: Jean Rhys's Caribbean Gothic Postcolonial Novel

 Wide Sargasso Sea by Jean Rhys

Wide Sargasso Sea book cover
Author Jean Rhys

I can’t remember why exactly I bought this book, but I’m sure that part of the book was inspired by my vacation to Jamaica. I know, too, that I’ve come across the book previously, but as someone who never read Jane Eyre, it was not something that I studied or was familiar with in college. It may have been after I read Anna Biller’s excellent Bluebeard’s Castle, which pulls from both Bronte’s and Rhys’s narratives of the subjugation and gaslighting of women through marriage. Although I purchased this book before reading Tao Leigh Goffe’s excellent Dark Laboratories, her analysis of the book as a countertext to provide additional perspectives on the dominant views in canonical texts made me want to read Wide Sargasso Sea even more. It was also interesting to learn more about Rhys’ life and completion of the book over 20 years with Judith Raskin’s brief biography and background about the novel. Even though this is a brief novel, it was filled with ideas, allusions, and symbolism that kept me reading. I loved learning more about the history of Jamaica and Dominica, and how Rhys incorporated not only personal references, but the cultural and botanical references to the Caribbean throughout the book. At times, I felt that I could inhale the intoxicating floral aroma that emanates from the pages. This is the kind of book that I lost myself in reading as Rhys evokes a tropical paradise that also becomes a kind of prison for Antoinette Cosway, an heiress who lives in Jamaica shortly after the emancipation of those who were enslaved but is married off by her brother and is haunted by the fate of her mother who was institutionalized after the family was attacked and their estate burned.

The story takes place when Antoinette was younger on their plantation in Jamaica, shortly after emancipation. While the family was once wealthy, their estate has fallen into disrepair, which seems to be a common motif throughout the novel and creates a gothic feeling of decay and decadence. Antoinette’s mother is forced to remarry to improve the situation, but her new husband, Mr. Mason, is only looking to take advantage of the distressed property and woman. It’s not a marriage of love, but rather a power and land grab, which is another motif of the men in this story. Antoinette’s family is always viewed with suspicion among the emancipated people of Jamaica, and the threat of another plantation master returning results in their burning of the house, an attack on Antoinette, and the death of her younger brother, which eventually leads to extreme grief for Antoinette’s mother. Mr. Mason uses this episode of grief to have her institutionalized and sends Antoinette off to convent to study.

The second part of the story takes place during Antoinette’s honeymoon with her unnamed husband, but who is likely Rochester in Jane Eyre. This part of the book takes place in Dominica, where Antoinette’s mother is from, and is told from the unnamed husband’s perspective as well as Antoinette’s. This was my favorite part of the book, as it contrasts the beauty and idyls of the island with the subjugation and brutality that Antoinette experiences as the hands of her husband. Antoinette’s husband not only struggles to adapt to the way of life on the island, demonstrating his cultural incongruity, but Antoinette begins to develop doubts about her relationship to her husband, creating a sense of paranoia and fear that is only magnified by her family’s history of institutionalization. To further complicate the situation, there is a man who claims to be Antoinette’s half-brother, and he claims to be entitled to the property and money from the family. Throughout this section, we also learn more about the life of Christophine, Antoinette’s nurse from childhood, whose belief in Obeah, the traditional spiritual healing and magic system in Jamaica, arouses further suspicions between the couple. I loved the character of Christophine, as she seems to fight against the patriarchy and colonial mindset that Antoinette’s husband brings to the marriage and honeymoon. She also attempts to bring a sense of identity and independence to Antoinette, challenging her husband. It was fascinating to learn more about the Obeah practices and some of the ideas of zombis that were included in the texts and notes. Throughout this section, Rhys continues to develop this sense of decay and degradation that mirrors the relationship between Antoinette and her husband, especially as he begins to call her Bertha, changing her name and shifting her identity against her will.

The novel ends with the third and shortest part, where the couple journeys to England after the death of the husband’s father and brother and Antoinette renamed Bertha, thus further erasing her identity while imposing a new self on her. It’s a fascinating book that challenges the patriarchy and colonialism that were and continue to be a part of the history of the Caribbean, while also presenting countertexts that challenge the dominant view. By giving voice and life to “Bertha”, we not only learn about Rochester’s true nature, but we also learn more about the other women he’s silenced and taken advantage of throughout the years. Rhys’s Wide Sargasso Sea not only signifies on the classic Jane Eyre, but it highlights much of the racism, classism, sexism, and inequality that continue to exist today. Furthermore, it’s a haunting gothic tale that is both evocative and insightful. I also love this Norton Critical Edition, which has great notes and background information. I’m hoping to read some of the literary criticism about the text. Highly recommended! 






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