Thursday, December 5, 2024

Snuff Films and Satanists: At Midnight We Possess The Damned

 At Midnight We Possess the Damned 

by Nick Cato and Andre Duza


Author Nick Cato

Author Andre Duza

Secretive Satanic Covens? Check.

Snuff films? Check.

Curtis Silwa and the Guardian Angels? Check. 

Nick Cato and Andre Duza’s collaborative novella At MidnightWe Possess the Damned traffics in some great mythical 80s legends. Big thanks to Dead Sky Publishing and Netgalley for providing me with an advanced copy of this wild ride of a book. When I saw the cover and read the description, I knew that this was a book I really wanted to read. I wasn’t disappointed, and I hope that more people will get to read this At Midnight We Possess the Damned. Cato and Duza are able to use some of these urban legends to advance the story, but they also take these legends to new places and the narrative takes some inventive and entertaining strides to advance the plot. Ultimately, though, this is a book for horror movie obsessives. The story focuses on Gary McKay, an aspiring genre director who is looking for inspiration and financial backing for his new film after his short film was recently rejected from a NY film festival. Where else can an aspiring horror movie director find ideas but from the underground snuff film circuit. Gary’s quest for inspiration leads him to meet up with a mysterious man in a storage center in Brooklyn, notably where the scenery “melted from shiny-happy to hold-onto-your-purse sketchy”. I really enjoyed Cato and Duza’s descriptions of people, scenes, and the gore and violence. It wasn’t overly descriptive, but oftentimes funny and rooted in a kind of realism and relatability that appealed to me. In addition, I really liked Gary. He’s an artist who loves horror movies and is inspired by some of the greats. That was another appealing aspect of this book—the various horror movie references throughout the book. Whether it was the frequent Fulci name drops or using an alias Lee Revok as an homage to Cronenberg, this book has some excellent references for horror fans. Although I’m not sure exactly what a snuff film collector would ask for and how someone would initiate this process, Cato and Duza provide a great set-up that seems both mysterious and cryptic. I wasn’t exactly sure how Gary was able to afford to splurge on the viewing, but Cato and Duza create an interesting story about how these films are made, and this particular story about a priest was both shocking and intriguing. Gary’s interest leads him to an opportunity to direct his own snuff film and work with the “talent” in these films. There’s not much description of the films contents, but I loved the titles- Burning Man, Eaten Alive (maybe a Hooper reference), Pin Cushion, and Skin Deep. Just the suggestions of these titles was enough to make my imagination go off on a flight, and I loved how Gary added these artistic touches to the films that lacked them in the beginning of the book. While Gary is developing his directing credits, a global virus is quickly moving across the Atlantic, beginning to infect Americans and shutting businesses and other social events down. Cato and Duza played with our pandemic experiences in an entertaining way, creating a new virus that will serve an important purpose later in the book’s plot. I won’t give any other details away, but I really liked what Cato and Duza did with this current event and how they used it to advance the story. They not only took this more recent event, but also took the legends like snuff films and Satanic cults to appeal to readers, but also used these tropes in inventive ways that challenged my assumptions. While some of the events are a little unbelievable, I really enjoyed this book and couldn’t put it down. It was easy and fun to read, and the chapters left me in suspense wanting to find out more about what was going to happen. I loved the use of the snuff film and satanist plot lines—they created a kind of air of mystery and familiarity, but these elements were also used to further the story in a creative way. I can’t wait to check out other books by Cato and Duza; I was especially excited to see the other books about films that Cato has written, and if they are anything like this book, reading them should be a wild ride. Highly recommended!  





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